Musician & Composer

LySaundra is a Brooklyn-based musician and composer guided by the understanding that sound is memory, memory is water, and water finds its way through everything. With more than twenty years of study in violin and piano, she moves fluidly between classical, gospel, soul, blues, jazz, folk, and country, and composes music the way she believes all art should be made: to transform. Her music asks its listeners to feel something and then to let that feeling bring them closer to the people around them. If the music doesn't do that, she's not interested.

LySaundra has played violin and piano for nearly 25 years, having studied under Cathy Solsberg, Steven Smith, Anita Weinzierl, Natalia Bolshakova, and Paola Savvidou, each with distinct instruction that shaped her ear, discipline, and understanding of what music can hold.

That training lives in her compositions. It's the discipline underneath the feeling, the structure that makes space for something to breathe. Her classical training has always been in conversation with broader African American and African Diasporic musical canon. These traditions carry a different kind of knowing that inform everything from her compositional choices to the emotional weight she brings to a room.

LySaundra has performed church and sacred music as a vocalist, pianist, and violinist in Missouri, Nashville, TN, Washington, D.C., and New York City. 

She was commissioned to compose and perform two original pieces for violin for Jodie Lyn-Kee-Chow's 2025 production of Junkanooacome, in partnership with KODA House at Governor's Island. Previous performances include: Brooklyn Conservatory of Music Jazz Lab, The Makers Space, W.O. Smith School of Music Faculty Orchestra, Tennessee Coalition to End Domestic and Sexual Violence 2014 Gala, SCULT Magazine Release Party, and the Kauffman Center for the Performing Arts’ Groundbreaking Ceremony.

Along with musical theatre compositions, she is currently working on an EP and adaptation of her creative writing journal The Write In. These compositions are a vulnerable exploration of what it looks like when private practices of healing and self-knowledge become something shared and held in community.